Thinking about the Stash

Like many quilters when I first got started quilting I bought fabric.  Lots of fabric.  Anything that caught my eye, or was on sale, or was just pretty.  It was so exciting starting a new fiber interest, that I went a bit nuts with fabric, and books, and tools.

After all, having a stash is part of being a quilter, right?  Just like a yarn stash was part of the knitting explosion.  Revelry has tons of people "flashing their stash".  I talked to the husband of a quilter, and he said to me knowingly, "I bet you have a huge stash".

Well this may be blasphemy, but for me the stash is not a good thing. I don't actually like scrappy quilts, and if I did make them I would use, well, scraps!  Which I am accumulating pretty rapidly.  I like using coordinated fabric lines for quick quilt projects, I have even done a couple of kits where the fabric was provided.  And when I design a quilt using my own fabric going shopping for the fabric is a whole lot of fun.

And I am finding that too much clutter in my crafting life sucks all the joy out of it.  All that stuff sits there sort of quietly nagging me to do something with it, and makes me feel guilty when I plan a new project and go buy new fabric that fits the design idea.

I am really trying to pare down to things I can finish. I can’t help but have a few UFO’s in the works, especially in different crafts, but am trying to pare down on random things I may never do. This is currently a big deal with me, I am going so far as to clean my studio and do some serious de-stashing. I have just found that the sheer amount of stuff, especially in my craft world, is making me miserable rather than bringing me the joy a hobby (or three) should bring.

The funny thing is that this is the second time I have come to that realization, I went through this with yarn a few years ago, did a ton of purging and pared it down to a small bin.  I have more than enough if I randomly need to start a project and can't shop -- but odds are the next project I knit or crochet I will start with a trip to a store or a wander online.

And with the quilts, I have a list of UFOs much longer than I posted a few weeks ago.  Most of them aren't started enough to qualify for a UFO challenge, but I have been through the weeding process twice now and those have stayed.  Some of them I have more than enough fabric for, so there will be more de-stashing once I pick the ones that make it into the project.  But it feels so much better to have a manageable amount of fabric in the wings, with a small cupboard of stuff I just really liked in case I want to make a small item without shopping.

And I found a link to some great projects to help with stash
http://tipnut.com/scrap-happy-fabric-scrap-ideas-free-patterns/

Feel free to share your thoughts on stash building, does it work for you or just benefit fabric and/or yarn companies?

Super cool quilt basting technique

I am trying to finish a birthday quilt in the next couple of weeks, today I am pin basting it so I can get it quilted.  I just had to look up again my favorite basting method, so I thought I would share it with you.

Board Basting

This is just genius, I have used it for two or three quilts already, much better than crawling around on the floor, and spraying nasty spray basting, which I did before I read about this.

Here is the top I finished (pieced on my lovely Singer 66 from the 40s).  I'll have to introduce you to that machine soon.

And here it is being pinned:

I hope this helps someone, I sure love this technique.  I bought some pre-finished mdf boards at a hardware store, they are 6 feet long and work great.  

A pause to post some UFOs.

I am pausing the sewing machine parade to list some UFOs (UnFinished Objects) for my participation in a challenge on a quilting forum on Ravelry.  We have to have at least 5 unfinished projects to participate, and although I have more than that I decided instead of listing them all I would just list the ones I hope to actually work on the next 3 months.  We will see how that goes.


#1 is really my top priority, as it is a birthday present due in early August.  I know, you are thinking "GET BUSY".  I need to get back on it tonight.

#2 is a quilted grocery/picnic cooler bag.  I have all the pieces cut:

I did a bit of test quilting, since it is so thick, with two layers of Insulbrite batting.  I am planning on using my new Davis New Vertical Feed, so I was wondering how it would do, well I shouldn't have worried.

It went through the thickness like butter, with no slipping or sliding of layers, and no catching of the batting on the feed dogs (since there aren't any!).  I love this machine!

The bag is based on the tutorial from SewMamaSew http://www.sewmamasew.com/2011/06/summer-sewing-insulated-picnic-tote/

#3 Is my Fourth of July quilt, pieced on my White Family Rotary treadle, I just need to sandwich and quilt it, and bind it.  

#4 is a simple Christmas table runner.  Yes folks, this has been hanging on the design wall since, oh, November.  

Those are Christmas trees.  Now that I have shared this, I really need to finish it.

# 5 is my guilt trip.  I won these blocks from the Block of the Month drawing at my guild meeting. Everyone worked so hard on them, so I feel guilty they are languishing in my studio.  There are a lot here, maybe even enough for two charity quilts.  

# 6 is one of those "easy little projects" that should have been done long ago, a set of potholders from squares I got at a yard sale.  

I think of these often when I use the ones in the kitchen that have gotten so ratty.  I think it's only been a year, but maybe more.  

The challenge only requires finishing ONE quilt or quilted project, so I am very hopeful to meet that and do a bit more.  I really want to finish these before starting on anything new, and even then it should be from the projects I planned and purchased for, that are lurking in little plastic bins.    

A truly modern machine, in 1952 - the Elna Supermatic!

I didn't really go in search for a Supermatic, someone in a forum I read was selling one for a good price, and I had been reading about it so I decided to go for it.  She didn't know if it was working, it turned by hand but like many machines the power cord had been lost, so I got a bargain.

We met up on the streets of Portland where the seller was working.  I had to get it home and order a cord before I got to play, but I was very impressed with this machine.

It didn't come with all of the accessories, I had fun collecting them.  But with just an oiling this machine ran great.  It isn't as quiet as the Grasshopper, but mine didn't seem to have the growl that Supermatics can develop after sitting.  There in an interior friction wheel, called a pulley, that can develop a flat spot and make the machine run noisily.  There is a youtube video that has the sound if you are wondering if you have this issue.

In some ways, this machine does pretty much anything you might need for sewing, it really can be  competition for a modern machine.  It has a free arm, and a series of stitches can be made by changing cams, called "discs".  Here is a bit of info showing available stitch patterns. And this came on the market in 1952!  I know someone who does production sewing for farmers markets using a Supermatic, in addition to the stitches you can use low shank attachments.  Bobbins and needles are readily available.  It just needs regular oiling, unlike a modern plastic machine that needs no maintenance, and also is pretty much disposable.

The first machines were all green, like the one I had, then they changed to two-tone green, then beige.  An Elna was expensive, this was a high end machine when first sold.  Needlebar has a great bit of information http://needlebar.org/main/elna/.  And this ISMACS article has some great info too:

http://ismacs.net/elna/remember_the_elna.html . And this chart helps with dating your Supermatic.

http://ismacs.net/elna/supermatic.html .

For Elna parts, including the pulley and info on replacing it, I recommend White Sewing Center.  There is also a vintage Elna group on Yahoo that is full of information.

And of course often these vintage machines have lost their manuals, here is a link to a scanned version.

I know this post has lots of links, and not a lot of personal info.  There is a lot out there about Supermatics, I don't feel like I have much to add.  And you may notice that I have been using past tense, I found a new home for my Supermatic, after cleaning it up and playing with it a bit.  No particular reason, I just wasn't using it and there is always another sewing machine to add to the collection.  In fact I had already bought a couple more by then, and space was growing tight.

If you have seen my profile elsewhere, I live on the Oregon Coast, with my office on Highway 101.  The buyer lived down the coast from me, and sent her husband to pick up the supermatic.  So I had the privilege of seeing it leave strapped to the back of a motorcycle, to find it's way to a new home.  Wish I had gotten a picture of that!

Oh, and a final thought - sometimes you see folks describe the green Supermatic as a Grasshopper, nope that is the Elna #1, shown in last week's post.  Yes they are both green, and both have the folding knee lever - but they aren't the same thing.  I think part of the reason it happens, at least on eBay, is the fact that eBay suggests title improvements that will help your item sell -- and it keeps trying to add #1 to my listings for vintage Elna items.  I guess they are more collectible, but it doesn't always apply!  

Truly portable Elna #1 - the Grasshopper.

I kept reading and looking at smaller, hopefully more lightweight machines.  I soon fell in love with the Elna Grasshopper, and hunted one down.

It's cute, it's green, it's light!  Made out of aluminum it isn't much heavier than the famous Singer featherweight.  It's truly a different machine, designed in the 30s, the first one was produced in 1940 in Switzerland. Pretty much everything about it is different, from the color to the case that converts into a table, to the placement of the hand wheel.  But it also takes low shank feet and easy to find bobbins.  Here is a bit of history according to ISMACS  http://ismacs.net/elna/history_of_the_elna_sewing_machine_company.html  and a little more here

http://www.sewmuse.co.uk/swiss.htm

Nicknamed the Grasshopper for the folding knee control lever, it is truly portable with an accessory case that sits behind the free arm and fits inside the sheet metal case.  The case is truly ugly, mine is really thrashed.  It used to have a leather handle, but all that is left is a rusted metal strap.  The color looks like an ammo case.

But it folds out into a neat table.  

My case is especially beat up on the outside, with a rusty handle.  I am really considering spray-painting it a fun color on the outside.  Have to figure out what goes with the green.

Another info link:  http://ismacs.net/elna/elna_1_the_grasshopper.html

My grasshopper came to me without any extras, so of course I had to accessorize.  First thing was to get a power cord.  Not hard to find, the plug looks like this

So not hard to find, but the one I got doesn't fit that well so it is kind of annoying but it does work.  I should have ordered from White Sewing Center http://whitesewingcenter.com/elnaparts.php this is the authoritative source for vintage Elna parts.  I later ordered a light bulb and a replacement belt from him, and they are nice quality.

The big thing I was missing was a manual, I would love a paper copy, but was able to find a free pdf version online.  You can find one in the Yahoo Elna Group files (after you join) or here is another version.

https://elnagrasshopper.files.wordpress.com/2013/03/elna-grasshopper-instructions-part-one.pdf

One of the things you will read about in the manual is oiling, and using kerosene in the bobbin race.  Originally it came with two cans, one for oil and one for kerosene.  So far I have only oiled it, and it is super quiet.  One of these days I will get a bit of kerosene and try it as someone mentioned it made it even smoother.  

It does seem to to need oil each time I use it, but I don't get it out that often.  But when oiled, it is so quiet.  One of my favorite things to do with this machine is to bring it out into the family room and do quilt piecing.  It sews a beautiful stitch on two layers, I did have a bit of trouble with a thicker project involving several layers and batting, but I think if I had changed feet and adjusted the tension it would have been fine.  I don't think this is the machine to stitch jeans on, but I haven't tried it.

Speaking of different feet, I have collected most of the standard accessories

The manual lists standard attachments:  Presser foot (on the machine), mobile foot (not in picture, its gunky and soaking in tri-flow).  Darning foot and darning plate, and 4 mm Hemming Foot.  I also got an attachment box with the screwdrivers, some bobbins, needles and the green oil can.  The black thing is a speed reducer, I haven't tried it yet but it slows the machine speed for darning and other special techniques.  This blog https://elnagrasshopper.wordpress.com/tag/elna-1-speed-reducer/ tells all about it. 

My Grasshopper serial number is 8210209, and it was made in 1948.  Pretty nifty little machine.  I loved the look of it before I got one, but I bonded with it when I first sewed, it is so quiet and makes such a pretty stitch.

Next week I will talk about the Grasshopper's big sister, the Supermatic.  

Designed to compete with Featherweight? Not really...White 77MG.

As I continued to read up on 3/4 sized portable machines, I ran into this info in a book about Featherweights. Since I already loved my White Family Rotary, I was excited to read about a magnesium version of a White machine that was made to be portable.  I was soon on the hunt for a White 77MG.

I scored one pretty easily at an auction site, they aren't super rare.

It's a straight stitch machine, in a dark green crinkle finish.  I love the deco styling of the badge and dials..

It takes regular 15 x 1 needles, the bobbins aren't at your fabric store, but are easy to get online as they fit many machines.  Here is a link http://shop.sew-classic.com/Bobbins-White-Kenmore-Rotary-5-pack-744.htm and sometimes you can find them on eBay.

Some people don't like White Rotary machines because the threading is a bit different.  It isn't hard to get used to, but it is a very different tension mechanism.  SewUsa has a great diagram that makes it really clear.  http://www.sewusa.com/Threading_Diagrams/Threading_Pages/White_Sewing_Machine_Threading/White_77_Threading_Diagram.htm

Another complaint is that it is a friction driven machine.  Rather than a belt driving it, there is a rubber wheel which rests against the hand wheel and powers the machine.  

Sometimes after it sits against the wheel awhile, it develops a flat spot. This can be prevented by keeping it away from the wheel while not in use, a pencil or chopstick works great for this.

If it does develop a flat spot, since it it an external part it isn't hard to fix, or replace.  I have read about shaving it down until smooth, but since I can find a rubber pulley online at somewhere like Sew Classic for under $5 I would probably take that route.  

My 77MG came with a tin of rotary attachments, 

But even if you aren't so lucky, these are easy to find on eBay and other sites.  There are different size of openings on the top clamping rotary attachments, this machine uses the ones with the 3/16" wide opening on the top. 

So not a replacement for a featherweight.  It does come in a similar case, but in the case the whole thing weighs about 30 lbs.  But a sturdy straight stitcher, with some cool retro looks.  I haven't made a project on this one yet, wonder what it wants to make?

The search for Portability, two Singers 99K and 185J.

Another title for this post could be "portable is relative".  These two Singers are 3/4 sized machines, and while they are smaller and lighter than their full sized cousins, they are not lightweight.

While I love my treadle, and machines in cabinets for really diving into projects, sometimes I want to sew in a different location.  So I started hunting for a machine that I could move into the dining room, or take somewhere else and bring along a project.

I started reading about the 99 and 99K machines.  The K indicates it was made in the UK, in Scotland.  This is the 3/4 size of the Singer 66.  It takes the same low shank attachments, drop in type 66 bobbin and standard 15 x 1 bobbin.  There is so much information on these relatively common machines, that I won't repeat it here.  A google search will give you tons of info, and manuals are readily available too.

After reading about the 99 and 99K I started stalking auctions,  and soon bought one at a reasonable price on eBay.  It was a good deal because it came without a case or motor - but since I was planning on converting it to a hand cranked machine that was fine.  Here she is

I bought the lovely wood base from someone online.  Unfortunately this was a lesson in buyer beware as far as shipping, the machine was sent in a box with some bubble wrap and no heavier padding.  When it arrived one of the cast iron "feet" was broken off.  

This didn't affect the use of the machine, since you can't sew with this machine without a base.  But it was a big disappointment.  The seller was a general collectibles dealer, and probably thought that cast iron was impossible to break.  In reality it can be brittle, and this box was obviously dropped and that foot poked through the plastic wrap and took a hit.

So look for sellers online that have experience shipping sewing machines.  They can be shipped without damage with proper packing, just ask questions.

But now it lives in a lovely wood base, and I have practically forgotten about the broken foot.  I purchased a reproduction hand crank, but just couldn't get past the quality of the made in China part on a lovely machine like this.  If you are planning to turn one into a hand crank, here is a great link to how to do it:  http://www.treadleon.net/sewingmachineshop/converting/converting.html and here is a picture of the mounting you need to have on your machine so you can clamp on a hand crank:

You also have to have a spoked wheel, which you can buy from the sellers who sell the hand cranks.  I put the original wheel back on and plan to buy a motor for this one.

So, portability?  It weighs about 22lbs, so I can lift it but it isn't light.  I don't have a case.  But I can tote it out to the dining room table.  And it makes a lovely stitch, just like the 66.  A real gem of a machine.  They were made from 1911 until 1958, not hard to find and easy to find parts for.  Mine was made in 1951. Grab one if it comes by at a reasonable price.

In the 1950s sewing machines were pouring out of Japan, many in bright colors, and I believe this is why Singer tried to compete by adding some colored machines.  My next 3/4 sized machine was a 185J, made in 1958.  

The J model was made in Canada.  This site has a great bit of info :http://www.singersewinginfo.co.uk/185/ and here is a little more :

http://possumjimandelizabeth.com/xhtml/collect_sewing_sing185.html

It is a great little straight stitcher, and you have to love the color!  It also weighs about the same as the "portable" 99k.  I found a manual for it, and you can also get the pdf online at the singer site:

http://www.singerco.com/support/instruction-manuals

It's another straight stitch machine, which takes all the same parts as the 99k and many others.  They were made from the late 50s to early 60s, so there aren't as many around but they aren't rare either.  Great for piecing quilts, and other straightforward sewing, and there are lots of attachments if you want to branch out.

So I had two 3/4 sized Singers, lovely machines, but not really portable.  Next week another "portable" machine.